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Plate

by su,bg

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    The download includes a PDF of intricate and in-trick-hid image accompaniment, with lyrics and details exceeding the bounds of the album proper.
    Purchasable with gift card

      $7 USD  or more

     

1.
Little girls preparing for their tests, I suppose An awful effort, misdirected. But maybe that's not fair. The world adopts new tones and hues where thoroughfares collide - Why do I care - I need to get moving - why do I care? Motion is key. Little ropes serve to secure the boats I guess. Their grips often seem tenable. ... Or maybe I meant... tenuous? I shift my diet more toward fruits and note that my nausea subsides. Why do you care if I eat like a man or what man could be? ...That's not what I mean. Little. Emitters. De-tect what I’m doing and even know when I’m done. Give me a week in a satellite - that would be... Fascinating. (And yes, it would also be, “Fun,” But you knew that.) Why do you care? I need to get moving. Why do I care? I don’t mean to be flippant? Why do I care? Why do I care? Motion is key.
2.
Anticipation is a beautiful thing. What will the first one be like? Have you been thinking about it?
Describe to me your feelings, if you can. I understand, it’s early; You can’t articulate yet. And: Oh. If pillows. Could talk. They would gargle. The gallons. Of yearly perspiration. (per spear ration) (purse peer ration) And: The super. imposition. of color. upon. Clean surfaces! Is absolutely baffling. [Offer commands as courtesy. Offer the courtesy we demand. The courtesy we demand.] And it’s easy to say when you don’t know the stakes. Ohhh, among them place ecstatic nights Confusion And a co-old breeze. And it’s easy to say when you don’t know the stakes! Avoid meaningful contact Don’t Look in this direction Please. And: May your first be your worst and your Second be your new worst and may every Subsequent set a record that no one wants. This I pray. And may your first be your worst! And your second be your new worst! And may every subsequent set a record that no one wants: This I pray. Ooh. [Offer commands as courtesy. Offer the courtesy we demand. Offer commands as courtesy. Offer the courtesy we demand. The courtesy we demand.] The courtesy we Demand.
3.
Now, Lady 03:48
Now, lady, do I need this? Does your air -perforce- need to be mine? I’m bent on hashing this out. Are you with? Now, lady, do I need this? And are you sure?
You like the jokes, and I like the looks, 
and on “th -ings” We’re bound. To agree. The sudden integration of another into one’s life certainly belies initial reasons and reveals how desperate we are, That in the presence of a stranger, we would give up what we know for what we hope. ! Now, lady. What do you think of the natural pattern of pairs? Have I fought the filter tree to find I am wrong? Now lady, bear me through the keycard door! I don’t want to walk! And you look like you need a task. [????? Sing:
“Mine for gold. Mine for gold.”] You will do now. Lady, forgive me. You know! (But surely, you do not!) Pull through now, lady, and give me: at least a seventh of what you’ve got. Abandoning the “all” err for the sacramental daze. Peruse the magazines and shun the photos. The internet will tell you how to replicate their feats and strip the Greats of all their dignity. What for? Hope. Hope?? Doorway noise is amplified and thrown across the room. Keys strike metal floor-frame, and we all jump. Even outside. The viscous hits the hand; Curves, settles. Queries what I’m doing here, And I hope That I’m not Settling... Any more than I think I am. Any more than I think I am. Any more than I think I am, anymore. Any more? Anymore. Any mo - ore?
4.
My Focus 04:10
If made sacred through exception, then further breaks All the more Sacrosanct. May I request that you not dwell on this for too long? A step or two at most from where I started is The most in which you could deal. Light - Dee - light The green deck end: the others, too obvious. If I am made considerate toward reading lists, then I shall not recount my own. I shall not condescend. If I do not recount my own, how can I recommend? I shall not recount my own. No, I shall not condescend. If I do not recount my own, then how can I recommend? Oo-ooh, my focus, mm mm. Mm mm, my focus, oo-ooh ooh. Mm mm. My focus. Ooh, ooh ooh. Mm mm, my focus, oo-ooh ooh.
5.
"There's more value in a glance."
6.
Equipment! 04:22
A tone shift’s no good for my image. Not now. I separate from my source. Can the source be discovered as faulty? And implications of the “one true,” have been too haste- Too hasty. And we applied our very best minds to the task. The initial results aren’t looking good. No, the initial results aren’t looking good. No... If everything else is being Recontextualized (apologies for the absolutes, I’m allways misusing these) Could not I be in need of a Recontextualizing? There’s a feeling I’ll be better off... [Reiteration.] Ah. Ooh, Equipment! - if you’re able - Return to arms! Ooh, Equipment, if you’re able, return to my arms. We laughed a lot in child ???, - blistered maturations burst - - so soon do those I dance with die - - never had another animal for which I cared - - so soon do those I dance with die - So soon do those I dance with Pass
7.
(dance)
8.
This is the press. One’s recognition that the cables stretched Are whining, throbbing, generating Energy. In a form, before avowed, but never known. This is the pressing. This is the merge. Two acquiescing to the “rather not” that’s sinking, now insinuating dominance. Two spots remain of a polka-patterned life. This is the sinking! This is the doubt! This is the Greater Worth Through Aspiration™ Too much trust in ‘terpolating Digits! When only numerals belong here. ...Erh? When the skin goes slack, the texture is revealed. And when the skin goes... slack The texture is revealed. and When the disc spins up, We’ll see the solar energy Go to waste upon her skin... (euuugh) As two, in tongues, proffer and yawn, There need be no conclusion. This could end right here! and I would run it on repeat. Run it on repeat! Run it on repeeeeeeeeaaaaaaaaaaaaaAAAH
9.
Here come the reactions, just as soon as it’s begun The rustle, reposition, and disregard for passers. Having just met, must project upon each other certain preset Agéd with’ring triggers, and agreements to agree. Agéd with’ring, to agree. And that’s two very deep breaths. (??) If lace, dangling, interferes, Forge onward. Get it open. Settling, bar distractions, let breathing supplant speech; The flip and tawny racket take the joyfully decried Synchronous new heartbeats, work to stifle the reply, Locate blooming triggers and affirmance, loud and free. Locate, blooming, loud and free. The perch and gleeful playstrikes lead the way to purer tones and Tensions than this family gen’rally knows. Is the Dee-light fading? Let me see it, let me see that look. Couldn’t help but crack and let the press persuade. and That’s two very deep breaths. (silence) If lace, dangling, inter feres Forge onward. Get it open. And that’s true, merry freeforms. Don’t now get too close. No more lace to enter... <fear>... Press onward! And there is more value in a glance Than circumstance allows. Oh, now look upon me. Don’t release yet. [the plucking, and the snap.]
10.
Simple contrast makes you sound, oh, so clever, I know. A reversal kills two lines. Playing with phrase? Don’t play around anymore. Stick to your wits, contrive not to be so Subtle, again, is not your strongest point. I want to make myself really clear. You’ve said enough. Now, say it all. You’ve said “enough;”
Now say it all. Over-reiterate (oh) to the point, oh, Oh! It’s obscene! Over the shoulder, unable to... unable to Stop! Stop! Stop! And Untrained I, Convinced by the page Am taking this scripture to heart. Untrained I, Seduced by the Page, Am taking this fiction apart. Awake, awake, awake. Awake, awake, awake. Awake, awake, awake! Preservation is the loftiest of goals. Why should preservation be so...? Preservation is the lo-fi-est of goals. Why should preservation be so Overrated. More to the point, oh, oh, it’s obscene. Over the shoulder, unable to - Unable to stop, stop, stop! And untrained I, Seduced by the page, am taking this scripture to heart. Untrained I, Seduced by the Page Am taking This fiction... I’m taking... This Fiction... Untrained I, seduced by the page, am taking this Fiction to heart. Untrained I, seduced by the Page, am taking this scripture to heart.
11.
To further explain: You have to really hold it. This time “it” refers to: Any fragment of airy, detached n stance when we put down our clocks and mannerisms and simply enjoy the presence any body could provide. Provide. And mired in the finalmente. Soothing... closer. We produced these sounds, without the tune. Without reserve. And “Don’t rush away! We fit so well! We’ll press and cover up what Ruined everything, (What we should wash off)!” Of course, you wonder Why ‘we fit so well.’ Lest I forget the notes on my hand, You repeat. You repeat. The martyr, instruct. Don’t let me simplify. Shouldn’t the title, “Certainty,” make sense more of the time? We’re parallel to other pairs acquainted. Together, we’ve evaded permanentangles. Or! The wind hadn’t changed yet. ...Or the wind hadn’t changed yet. Mired in the finalmente. Soothing. Closer. Mired in the [???], soothing closer, we produced these sounds without the tune, without reserve. And “Don’t rush away! We fit so well! ... We’ll press and cover up what ruened everything, what we [should] wash off!” Of course, you wonder Why ‘we fit so well.’ Lest I forget the notes on my hand. You repeat. You repeat... Repeat. Repeat. Repeat. RepeeeeaaaaaaaaAAAAAAAHHH!

about

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Thank you for Purchasing this unique "plate."
There are several unusual details it is in our interest to cLarify.
.
The origins of the "plate" are mechanically simPle.
Nicholas O. [ ] Splendorr wrote & recorded the album,
took all the photographs,
and assembled the Thing throughout 2006–2007.
.
More technical details are included in the "plateLets",
which you may refer to colloquially as the "Album Art Booklet,"
though it is chafing at the borders of such a limited description.
.
The Instructions for your "plate" are very simple.
We will use more words
than necessary to describe them. This is for our own good.
.
1a.
.
"DISC pLATTER OpTION"
.
To listen to the audio, please
insert the disc into a ComPact Disc (CpD)
player or computer with the appropriate hardware,
and do what you normally
do.
If you are reading this from the disc,
there is a very good chance this is working
already. There are no CpDs of "plate" currently in extance.
What are you holding?
If you are reading this from a disc and are unable to see it,
please email
simolinic@gmail.com
so that we may work together to solve this ProbLem.
Occasionally I make house calls.
.
1b.
.
"DISCLESS pARApHYSICAL OpTION"
.
If you have downloaded the album from the internet
and are reading this: congratulations.
You're doing everything right so far. Open
(yourself) (and)
the mP3 or so-called "Lossless"
(as though we could ever be)
files with your favorite audio-listening application.
pRoceed.
.
2.
.
To view the "plateLets,"
which contain photo-graphics and
(questionable?)
transcriptions of the "ly rics" and
other information related to the album
Please consult the accomPanying easy-to-open
(if not always easy-to-read)
PlateDF (PdF) file.
.
There appear to be some discrePancies in the tyPesetting of the plateLets.
Explore this.
You may wish to employ the Zooming functioNality of your chosen
(Personal or imPersonal) comPuter.
There is no crass puzzle as easily deciPhered as connecting the engorged letters.
.
Subconscious decryption, dream engagement, and liberally-slathered synectics may serve to "enHance your exPerieNce." Have no goals.
Time and its PaSsage are crucial ingredients in any temporally-stranded object's eventual embrace.
.
(Previous versions of the "plateLets" were presented in an innovative browser-based interface,
which has been omitted in this version of the album.
It was truly ahead of its time in 2007.
If you would like a copy of this web-oriented clickfest,
please email simolinic@gmail.com with your proof of purchase/box toP.)

credits

released September 1, 2007

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su,bg Athens, Georgia

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